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Saturday, May 12, 2018

Desi OTT Avatar 2018

Consumption patterns as more and more players enter the OTT Arena
Disruption in the market led by the revolution spearheaded by Jio, followed by other telecom service providers has magnificently increased the penetration of Internet, improved distribution and increased content consumption. Wide range of smart-phones, esp. the low budget high feature have fuelled smartphone ownership and an exponential increase in digital media consumption. Today mobile phones are personal entertainment devices for most users; leading to OTT players chasing these consumers and in the bargain partnering with telecom operators to improvise their video streaming offerings. These factors have led to strategic partnership between telecom operators, OTT streaming services and device manufacturers to offer discounted subscriptions and other bundled offerings.
The next wave of growth is to be led by the smaller markets beyond the metros & tier-1 towns. Consumption of regional language content has outpaced Hindi language content. Regional language comprises of 35-40% of overall online consumption in India, but is witnessing a growth of 65-70%. Short-form content and web-series are the driving forces catapulting regional language content amongst its audiences. Consumption of snacky content is no longer an urban phenomenon, regional audiences have picked on the trend and is a rage across vernacular languages.
While we are at the dawn of OTT industry evolution, the growth is sporadic as a result of new players both domestic & international. The content choices are expanding and newer genres are getting created each passing day.
Although the traction for OTT video streaming and downloading is only just building, a thriving ecosystem of content suppliers is being created as a result of multiple new players launching their digital streaming platforms. Furthermore, the entry of OTT players, both domestic and international, has expanded the choices available to consumers for consuming content and brought a significant shift in the user’s attitude, leading to an increasing demand for easy access to a vast library at any time and place. Thus, to provide a seamless and secure delivery of online videos, streaming platforms are strengthening their content delivery networks (CDNs) to entirely bypass the need for continuous internet connectivity by enabling offline streaming.
Growth of OTT viewership over the years
With 176 million India OTT viewers almost 3x growth over the pervious year is riding on revenues worth more than $500 million. Smartphone users are expected to cross 700 million by 2020, with this the OTT consumer base is set to hit 100 million unique viewers a month with a CAGR of 40-45%. Beyond adding new consumers segments, the OTT platforms offer targeted advertising, more immersive engagement, interactive capability and data analytical capabilities which vastly overshadow the traditional TV led advertising. This is turning out to be a very lucrative space for the advertising for the digital marketeers.
Early trends in 2018 for OTT
What we saw last year, will continue to be see this year as well; strategic alliances between OTT platforms and telecom industry will continue to co-own the video streaming offerings to the consumers. There would be a surge in alliances between handset/hardware manufacturers to integrate OTT applications on their devices thereby pushing a certain content offering to the consumer; this in any ways is a fast paced sector with new consumers of smartphones continuously adding to the user base. The growth of smart TVs and high quality displays on the handset would also lead in a new growth lever in the form of video output quality. Most prominent OTT players have multiple video viewing options with HD / 4K video offerings. This will be the new segmentation offerings being pulled out by the OTT players with time.
Regional language programming is another factor to fuel OTT viewership. Regional content offering to grow at approx. 30-40% and gain a share of ~25% of the overall consumption. 

-Sachin Kamble

Friday, May 4, 2018

OTT / Linear TV: Decoding the next big content disruption



Last few years have witnessed, OTT platforms creating a ripple in Media & Entertainment industry worldwide. OTT platforms have altered audience content consumption, payment habits & prevalent content creation. It will be interesting to know the next wave of OTT and its impact on prevalent linear TV model.
My experience in the dominant TV industry and new kid in the block – OTT can be summarized as:
OTT industry is set to evolve
There is no second thought on the fact that OTT business is set to swell worldwide, but there is a definite consideration on who will be the dominant players and their respective market shares. This business is set to consumer heavy investments in its foray to create a wide audience pool.
The nature of this business would compel dominant players to explore ‘Hybrid’ models (SVoD + AVoD audience base) as there is certain cap on SVoD consumers. Hybrid models are advantageous for both audience as well as advertisers, since it will always be perplexing for the business justifying their VAS offerings.
The future has two striking possibilities:
- Consolidation of services / offerings, favouring the audiences
- Rise of theme specific offerings, targeting niche audiences
Consumer is the King, plentiful choices
OTT growth is fuelled by attractive content to lure more audiences. This race has put the consumer in the centre-stage making him the King. Both TV & OTT would get in a tug-of-war to outbid the other, thereby empowering the audiences; in-turn increasing the pressure on content creators.
Audience demands would keep evolving and demand for exclusive and niche content will be at its pinnacle. This would be the only driving force for SVoD business.
Best times for content driven by OTT players
Audience demands have been met by broadcasters, OTT players, studios and production houses with the influx of superior-quality shows/movies. OTT audiences have witnessed shows dwelling into Historical, Thrillers, Super-hero franchises and a peek into various dystopian worlds. TV channels have at the same time stuck to the usual daily soaps. International content from Korea, Turkey and Telenovas have wide acceptance across the globe. As can be seen there is a wide range of content available for the audience. Finally what matters is the right content mix to target a certain diaspora of audiences.
This is only the beginning, coming times would only be as enriching as can ever be expected. Increase in competition and a competition to grab the maximum audience eye-balls would fuel creation of some high-quality content.

It is a Wait-n-watch times, as the next big chapter in the Media & Entertainment industry unfolds.

- by Sachin Kamble